We’ve moved!
Visit the new Library of America blog at our new website: www.loa.org/news-and-views

Showing posts with label American poetry. Show all posts
Showing posts with label American poetry. Show all posts

Tuesday, November 3, 2015

Luc Sante takes a “headlong plunge” into the lives of nineteenth-century American poets

Our series of guest blog posts by writers of fiction, history, essays, and poetry continues today with a contribution by Luc Sante, whose new nonfiction work The Other Paris, just published by Farrar, Straus and Giroux, has already been hailed for its “sneaky genius” by David Ulin in the Los Angeles Times.

Below, Sante testifies to the unique inspiration he derives from the Library of America collections American Poetry: The Nineteenth Century, Volume One: Freneau to Whitman and American Poetry: The Nineteenth Century, Volume Two: Melville to Stickney, American Indian Poetry, Folk Songs and Spirituals.
The Other Paris
by Luc Sante
(Farrar, Straus and Giroux, 2015)
I find myself drawn, again and again, to the capsule biographies in the two volumes of American Poetry: The Nineteenth Century. The poets of the nineteenth century were not only poets; not many made their living from academia, let alone literature. They were rich and poor. They were painters, actors, activists, politicians, cranks, investors, lawyers, farmers, hucksters, printers, failures, bureaucrats, physicians, journalists, divines. And many of them wore several of these hats, consecutively or even concurrently; the possibilities for self-invention and re-invention were larger then. John Hollander’s crisply detailed sketches offer a headlong plunge into the air of the nineteenth century that I find irresistible. As a tribute, from these biographical fragments I offer this collective portrait, like an overlay of photographic transparencies.

Lives of the Poets
Born in Head Tide, Maine. Born in Cherokee Nation near Rome, Georgia. Born at family estate The Forest in Amelia County, Virginia. Born into slavery on plantation of William Horton in Northampton County, North Carolina. Father, a German of Huguenot ancestry, was a herbalist and maker of patent medicines; mother, whose parents were German immigrants, was a spiritualist who believed herself endowed with mediumistic gifts. Father, a native of Vermont, served as legal counsel for Dred Scott. Father was a teacher and lecturer whose lack of success led to family’s frequently moving. Raised by his mother, a member of Campbellite sect Disciples of Christ, who discouraged his interest in literature and treated him severely. Family settled eventually in Spunk Point (now Warsaw), Illinois.

By his own account, spoke little English before age 14. After father’s death, apprenticed to a tailor; ran away to Philadelphia, where he learned trade of cigar-making. Worked from early age in father's blacksmith shop; received little schooling. Apprenticed to printer, and in his teens worked for The Huron Reflector in Norwalk, Ohio, and Western Aurora in Mount Vernon, Ohio. Following graduation from local high school, worked for six years as cashier in local pool hall, which was also center for legal off-track betting. Educated at Dayton’s public schools; graduated from Central High School, where he was editor of the school paper, class poet, and only black member of his class. While still in high school founded short-lived newspaper The Dayton Tattler, printed by classmate and future aviator Orville Wright. Left school and worked as lawyer’s assistant and in counting-house, becoming self-supporting by age 15.

Deliberately burned left hand (necessitating amputation) as self-punishment for having beaten another young man in fit of misguided jealousy after he had shown attention to Minna Timmins of Boston. Worked as miner and as a cook in the mining camps; spent time among Indians near Mount Shasta, and had a daughter, Cali-Shasta, with a woman of the band. Enjoyed initial acclaim as actor and was called “the American Roscius.” Wrote financially successful household manual The Frugal Housewife. Was also an inventor; patented a knitting machine, a walking doll, and a rotary engine. Entered world of finance with much success, forming his own brokerage company and eventually holding a seat on the New York Stock Exchange. Affiliation with Quakers formally dissolved following his participation in a street brawl.

American Poetry: The
Nineteenth Century, Vol. 1
After husband’s death moved with sons and stepsons to an uncle’s coffee plantation in Matanzas, Cuba, where she built a small house and began ZophiĆ«l, or the Bride of Seven, epic poem concerning the love of a fallen angel for a mortal, based on an episode in apocryphal Book of Tobit. While recuperating from illness, reported having vision of fountain of water and angels playing harps. Following brother’s death at 19, experienced troubling visions he attributed to Satan. After being administered nitrous oxide in a dentist’s office, underwent mystical experience; repeated the experience at frequent intervals, expounding philosophical conclusions from it in The Anaesthetic Revelation and the Gist of Philosophy. Contributed poetry and visionary prose to The Univercoelum, periodical devoted to ideas of mesmerist Andrew Jackson Davis (known as “the Poughkeepsie seer”). Later volumes were poetic collections Eonchs of Ruby, A Gift of Love; Memoralia; or, Phials of Amber Full of the Tears of Love; the long poem Atlanta: or The True Blessed Island of Poesy; and the play The Sons of Usna: a Tragi-Apotheosis. Under tutelage of Sakurai Keitoku Ajari of Homyoin Temple in Kyoto, converted to Tendai sect of Buddhism. Emperor awarded him Fourth and Third Class Orders of the Rising Sun and Third Class Order of the Sacred Mirror.

Marriage strained because of husband’s objection to many of her public activities. Imprisoned for debt in Fleet Prison; moved to Paris upon release and continued to dodge his many creditors. Traveled to California, where he was briefly jailed for horse theft; escaped with cell-mate and again lived with Indians. Wife Fanny died when her dress caught on fire; he was badly burned putting the flames out. Marriage troubled by his neglect of family responsibilities. Lived increasingly separately from wife and children. Notorious for affair with elderly novelist Alexandre Dumas; photographs of the two of them circulated widely. He and wife, Caddie, had three daughters, Essie, Mable, and Alberta, who later became vaudeville team The Whitman Sisters.

Postmistress of Auburndale, Massachusetts; endured opposition and boycotts from residents opposed to Roman Catholicism. Developed deep interest in American Indians and published A Century of Dishonor, influential account of U.S. government mistreatment and deception; sent a copy to every member of Congress at her own expense. Interested in economic ideas of Henry George; defended anarchists sentenced to death following Haymarket Riot. Lobbied in Washington against the admission of Texas to the Union. Involved in diplomatic maneuvering relating to Spanish-American War and annexation of Philippines, which he enthusiastically supported. Prepared paper for Cleveland convention urging black settlement on borders of California; active thereafter in plans for black emigration and colonization; believed to have traveled to Central America to investigate possibility of purchasing land there for colonization.

American Poetry: The
Nineteenth Century, Vol. 2
Became world-famous for her ride across stage strapped to the back of a horse in the dramatic version of Byron’s “Mazeppa.” Traveled to Great Britain, where privately printed Pacific Poems and manners and costume (sombrero, boots, spurs, and buckskin) gained him fame as “frontier poet.” Returned to U.S. to find that his popularity did not extend there. Local response to his editorial protest in Northern Californian against “indiscriminate massacre” of 60 Wiyot Indians on Guyot’s Island forced him to leave Aracata. Family estate Woodlands was destroyed by stragglers from Sherman’s army; fled to Columbia, South Carolina, and witnessed its burning. Lost home and possessions when Sherman’s army burned Columbia; reduced to extreme poverty.

Left Vilna for Warsaw and was caught up in Napoleon’s retreat during his journey. Contracted lung inflammation; died a few days after leaving Warsaw for Zanowiec, a village near Cracow. Died when caught in a blizzard while walking home. Died during yellow fever epidemic in New Orleans. Drowned while trying to cross the North Canadian River, Oklahoma, in a small boat. During bout of influenza, died in Venice in fall from balcony. Received serious injuries in fall from tree, which led to his death two years later. Died at home; his last intelligible words were “moose” and “Indian.” After settling his affairs, he disappeared into Mexico, writing to a friend: “If you hear of my being stood up against a Mexican stone wall and shot to rags please know that I think it is a pretty good way to depart this life.” Poems published posthumously, although most of the poems were written when he was in his teens.

Sources, in order by paragraph (some items are more than one sentence long):
Edward Arlington Robinson, John Rollin Ridge, John Banister Tabb, George Moses Horton, Madison Cawein, Eugene Field, Bret Harte, Edwin Markham, John Hay.


Alexander L. Posey, Thomas Buchanan Read, Daniel Decatur Emmett, Madison Cawein, Paul Lawrence Dunbar, Bret Harte.

John Jay Chapman, Joaquin Miller, John Howard Payne, Lydia Maria Child, Henry Clay Work, Edmund Clarence Stedman, John Neal.

Maria Gowen Brooks, Thomas Holley Chivers, Manoah Bodman, Benjamin Paul Blood, Thomas Holley Chivers, Ernest Fenollosa.

Julia Ward Howe, John Howard Payne, Joaquin Miller, Henry Wadsworth Longfellow, William Ellery Channing, Bret Harte, Adah Isaacs Menken, Albery Allson Whitman.

Louise Imogen Guiney, Helen Hunt Jackson, Stuart Merrill, John Greenleaf Whittier, John Hay, James Monroe Whitfield.

Adah Isaacs Menken, Joaquin Miller, Bret Harte, William Gilmore Simms, Henry Timrod.

Joel Barlow, Philip Freneau, Richard Henry Wilde, Alexander L. Posey, Constance Fenimore Woolson, Edward Hamilton Sears, Henry David Thoreau, Ambrose Bierce, John Rollin Ridge.
Luc Sante is the author of the nonfiction books Low Life, Evidence, The Factory of Facts, and Kill All Your Darlings. A contributor to The New York Review of Books since 1981, he is the visiting professor of writing and the history of photography at Bard College and lives in upstate New York.

Related posts:

Recent “Influences” posts:
Kirk Lynn • Sara Jaffe • Alexandra Kleeman • Amitava Kumar

Thursday, August 6, 2015

Video: Talented New York trio finds the music in Jack Kerouac’s poetry and prose

In honor of The Library of America’s just-published third volume of Jack Kerouac’s writings, and on the heels of our interview earlier this week with that book’s editor, Todd Tietchen, we’ve now reached into the video vault for a program related to our previous Kerouac title, 2012’s Collected Poems.

Peter Francis James, Loren Schoenberg, and Aaron Diehl in
New York City on Nov. 14, 2012. (Star Black)

The date was November 14, 2012, the location a private residence in New York City. The Library of America brought together actor Peter Francis James, tenor saxophonist Loren Schoenberg, and pianist Aaron Diehl for a jazz-inflected reading of Kerouac’s poetry and prose that paid homage to Poetry for the Beat Generation, the spoken-word LP Kerouac recorded in 1959, accompanied by Steve Allen on piano.

If viewers familiar with the original album occasionally suspect that James, Schoenberg, and Diehl surpass Kerouac’s own renderings of his works, that’s understandable given the credentials the trio brought to their collaboration. Among his many other credits James has appeared on Broadway opposite Al Pacino in The Merchant of Venice, had recurring roles on TV’s Oz and Law and Order, and made a name for himself as a reader of audiobooks. In addition to being a sax player, Schoenberg is the Founding Director and Senior Scholar of the National Jazz Museum in Harlem and the author of The NPR Curious Listener's Guide to Jazz (2002). Diehl is the recipient of the 2011 Cole Porter Fellowship from the American Pianists Association and was named the 2014 Monterey Jazz Festival Commission Artist—one of the youngest artists to receive that honor.

Enjoy the clips below, and watch the complete video of the trio’s performance here.


Video: Three choruses from Mexico City Blues (3:49)


Video: Excerpts from On the Road and Visions of Cody (4:21)

Tuesday, July 14, 2015

Remembering James Tate, 1943–2015: “I love my funny poems, but I’d rather break your heart”

James Tate, one of the most lauded American poets of his generation, died on July 8 at the age of 71 in Springfield, Massachusetts.

Tate was still a graduate student at the University of Iowa Writers’ Workshop in 1967 when his collection The Lost Pilot was chosen for publication in the influential Yale Series of Younger Poets. During a career that spanned nearly 50 years and more than 20 books, he won a Pulitzer Prize, a National Book Award, and the Wallace Stevens Award from the Academy of American Poets.

The Lost Pilot
by James Tate
(Yale University Press, 1967)
The title poem of Tate’s first book, “The Lost Pilot,” is included in the Library of America collection Poets of World War II. The work is an elegy for Tate’s father, a bomber pilot in the Army Air Forces who was killed on a mission over Germany in April 1944 when Tate was five months old. The Poetry Foundation website has audio of Tate reading the poem, along with an Essential American Poets podcast featuring additional readings and a helpful introduction to Tate’s work.

Friends and colleagues at the University of Massachusetts Amherst, where Tate taught for more than 40 years, remember him here. A highly recommended 2006 Paris Review interview with Tate, conducted by Charles Simic, includes this memorable statement of his artistic creed:
I love my funny poems, but I’d rather break your heart. And if I can do both in the same poem, that’s the best. If you laughed earlier in the poem, and I bring you close to tears in the end, that’s the best. That’s most rewarding for you and for me too. I want ultimately to be serious, but I can’t help the comic part. It just comes automatically. And if I can do both, that’s what I’m after.
Tate’s seventeenth collection of poems, Dome of the Hidden Pavilion, will be published in August.

Tuesday, April 19, 2011

Counting the ways to celebrate National Poetry Month

Fifteen years ago The Academy of American Poets launched National Poetry Month “to widen the attention of individuals and the media—to the art of poetry, to living poets, to our complex poetic heritage, and to poetry books and journals of wide aesthetic range and concern.” Every year they invent new ways to get the country excited about poetry—and inspire others to do the same. Check out the AAP's thirty ways to celebrate—thirty ideas for what you can do to call attention to poetry, from suggestions as simple as “memorize a poem” to the more subversive “put poetry in an unexpected place.” Here's more:

Discover a new poem every day this month:
  • Poem-A-Day from the AAP is available year round on its webpage, via email, or using the Poem Flow iPhone App.
  • The editors of The New York Review of Books have selected thirty poems from the five hundred or so poems published “over the years” and are posting a new one every day in April.
  • Knopf Poetry has its own Poem-A-Day page drawing from poets it has published and available on its webpage or via email. You can also find all the poems posted in April 2010.
  • For the third year The Rumpus celebrates National Poetry Month by publishing a new, previously unpublished poem every day in April. 
  • Poetry Daily, of course, offers a new poem every day year round.
Poets on writing:
  • Thirty poets on Twitter: Follow the AAP's @POETSorg to read tweets by a different guest poet every day in April. See who will be tweeting in the upcoming days.
  • Last April The Poetry Foundation invited contributors to Harriet, its news blog, to write about the “whats, when, wheres, and whys of their writing and performing lives.” The result was “one of the most insightful, provocative, and, above all, supremely engaging months we have ever had on the blog.” So invites went out again. Read this year's entries.
  • Aimed at young writers, Scholastic's workshop-oriented National Poetry Month site features several poets, including Maya Angelou, explaining why they write.
Poets reading:
  • Use the National Poetry Map, an AAP creation, to find poetry readings and events in your state.
  • Watch a video at FSG Poetry of Paul Muldoon and Robert Pinsky celebrating the coincidence of National Poetry Month and National Podiatry Month by "sharing a few metrical feet." 
  • The University of New Mexico has added several new videos—of Renny Golden, Tony Mares, and Jessica Helen Lopez—to its ongoing collection of National Poetry Month videos of poets reading their work
Readers on poetry: 
  • This year the semifinals and the finals of Poetry Outloud, the annual national recitation contest sponsored by The Poetry Foundation and The National Endowment for the Arts, will be webcast live. Watch for it on April 28 and 29. 
  • At Poetry Society of America Laurel Crosby is asking its readers to “share the line of poetry that made you fall in love with the art.” More than 200 have responded so far. 
  • A perennial magnet for poetry lovers is the Favorite Poem Project, a collaboration between Boston University and The Library of Congress. Founded by Robert Pinsky in 1997 when he was Poet Laureate of the United States, the project features fifty short video documentaries of "individual Americans reading and speaking personally about poems they love."
Related LOA works: Four Centuries of American Poetry (five volumes—plus a free book); American Poets Project – The Complete Set (31 volumes)
Wikio - Top Blogs - Literature