Billy Collins, Pete Hamill, Philip Levine, Bernice L. McFadden, Joyce Carol Oates, Colson Whitehead, many others at the 2012 Brooklyn Book Festival

Jonny Temple, Edwidge Danticat, Paul Auster, Pete Hamill at Brooklyn Book Festival
Photo: Joann Jovinelly

More than ten thousand booklovers reportedly attended the seventh annual Brooklyn Book Festival, which packed readings by 280+ authors onto more than 100 panels between 10 AM and 6 PM on Sunday, September 23. While all the readings were free, multiple concurrent events meant no one person could attend more than seven or eight, fewer if you cared to patronize any of the 100 outdoor stalls hosted by publishers, authors, journals, and associations in the square outside Brooklyn’s Borough Hall.

Brooklyn Borough President Marty Markowitz annually awards the “Bobi,” the Best of Brooklyn, Inc. Award, to an author whose “outstanding contributions to literature reflect the spirit of Brooklyn.” This year’s recipient, Pete Hamill, joined previous winners Paul Auster, Walter Mosley, and Edwidge Danticat in participating in the festival.

“Brooklyn is my Old Country, my true home place,” said Hamill, in accepting the award, “the place that shaped me, the place where I learned to read, to listen, to fill myself with visions. The place of music and laughter and decency, punctuated now and then by tragedy. I will carry that Brooklyn with me to my grave.” Asked at a panel where the ideas for his novels came from, Hamill replied, “Anywhere. Walking the dog or overhearing a conversation on the street.” If you read the notebooks of Henry James, Hamill observed, that’s what you will find. “He wrote down something that happened during the day. Then he would explore possibilities. What if the person were a woman rather than a man?”

Many other authors had advice for aspiring writers during Q&A’s following their readings. The “Fiction Triumvirate” panel at cavernous St. Ann and the Holy Trinity Church featured authors Bernice L. McFadden, Joyce Carol Oates, and Colson Whitehead. Reading from her story “Black Dahlia & White Rose,” Oates imagined monologues from two aspiring actresses, Norma Jeane Baker and Elizabeth Short, victim of one of California’s most infamous, unsolved murder cases. “How is it that one person becomes Marilyn Monroe and the other becomes the Black Dahlia? That gets to the heart of the great mystery, the phantasmagoria of our existence.”

Joyce Carol Oates, Colson Whitehead, Bernice L. McFadden at Brooklyn Book Festival
Photo: Kathryn Kirk

McFadden read from Gathering of Waters, her novel based on the gruesome 1955 murder of Emmett Till. In response to the question “what was the most difficult part of writing,” McFadden replied, “I don’t have a linear process. It’s very spiritual. I know when the end is coming because I get very emotional. Then I have to sit down and work it all through.” Oates, by contrast, said that she “has to get the last line first.”

Whitehead published his most recent novel, Zone One, a year ago, which may explain why his “reading” was more performance art. He intoned the book’s first line, “He always wanted to live in New York,” four times—each time breaking off to riff on the agony of writing (“If you remembered what it was like, you’d never do it.”) , his wife’s reaction to his novel, Sag Harbor (“I liked Lila Mae in The Intuionist better.”), seeing Clockwork Orange at age eleven, and the mystery of R2D2 (“The first Star Wars had the Death Star, light sabers, and hyperspace but couldn’t give R2D2 a voicebox?”) until he was out of time. When it comes to his work habits, however, Whitehead described a very structured routine: “I work up on an outline and plot an assignment for each day, from beginning to end, so I know where I’m going.”

Other panels also offered privileged insights into an author’s work. The “Poets Laureate Past and Present” panel featured Billy Collins (U.S. Poet Laureate 2001–2003), Philip Levine (U.S. Poet Laureate 2011–2012), Tina Chang (Brooklyn Poet Laureate) , and Ishmael Islam (New York City Youth Poet Laureate). After reading his poem “The Sandhill Cranes of Nebraska,” which begins “Too bad you couldn’t have been here six months ago,” Collins noted that when poet Howard Nemerov was asked to make up a word to “fill a hole in the language,” he came up with the verb “to azaleate,” meaning “to commiserate needlessly with some visitor about a local natural phenomenon that they either missed because they arrived too late or will miss because they are leaving too early.” Collins then confessed, “I couldn’t have written my poem without that word in the background.”

Levine prefaced his reading of “Black Wine” with a personal revelation:

This reading is a kind of experiment and this poem is about the same experiment and the experiment is sobriety. This is the first reading in about seventeen years that I’ve given sober and for that reason will probably be the worst. . . It may work and then I’ll keep doing it.

Listen to Philip Levine read “Black Wine”



Also of interest:

• Read other accounts of the Brooklyn Book Festival from The New York Times, The Los Angeles Times, The Brooklyn Daily Eagle, and a wonderful montage of images at Mosaic Magazine
• Previous Reader’s Almanac posts about the 2010 and 2011 Brooklyn Book Festivals
• Read exclusive LOA interviews with Pete Hamill about A. J. Liebling and with Joyce Carol Oates about Shirley Jackson

Related LOA works: At The Fights: American Writers on Boxing (includes pieces by Pete Hamill and Joyce Carol Oates); American Religious Poems: An Anthology by Harold Bloom (includes two poems by Philip Levine); Writing New York: A Literary Anthology (includes an essay by Colson Whitehead)

New York State Writers Hall of Fame: Langdon Hammer on Hart Crane

Toni Morrison greets fellow Hall of Fame inductees
Pete Hamill and E. L. Doctorow
Ryan Brenizer Photography

On June 5, The Empire State Center for the Book, New York’s affiliate of the Library of Congress Center for the Book, held its annual gala at the Princeton Club in midtown Manhattan. The Center is committed to fostering reading and greater appreciation of the literary arts, and among its initiatives is the New York State Writers Hall of Fame, established in 2010 to recognize New York–based poets, novelists, journalists, and historians who have made an indelible mark on our culture. The centerpiece of this year’s gala was the induction of the fourteen-member class of 2012, which included E. L. Doctorow, Pete Hamill, Toni Morrison, and Joyce Carol Oates, all of whom attended. Also honored were John Cheever, Hart Crane, Edna Ferber, Washington Irving, Henry James, Mary McCarthy, Marianne Moore, Barbara W. Tuchman, Kurt Vonnegut, and Richard Wright.

Hall of Fame inductees Joyce Carol Oates and Toni Morrison
Ryan Brenizer Photography

Over the coming weeks, The Reader’s Almanac will present remarks offered at the induction ceremony, in which literary scholars, critics, and descendants of the writers honored the inductees. We begin with Langdon Hammer’s tribute to the poet Hart Crane. Hammer is professor of English at Yale University, where he teaches modern and contemporary poetry. He has written and edited several books on Crane, including volume #168 in the Library of America series, Hart Crane: Complete Poetry & Selected Letters.

Langdon Hammer offers a tribute to Hart Crane
Ryan Brenizer Photography

Like many New York writers, Hart Crane was born somewhere else—in Garretsville, Ohio, in his case. He came here to live, quite alone, in 1916. He was 17, just a little older than the century, and he felt obscurely but intensely (Crane’s feelings were usually obscure and intense) that his fate and that of the century were deeply connected with each other and with the capital of modern life, New York City.

On New Year’s Eve of that first year in the city, the new arrival wrote home from East 15th Street: “My Dear Father, I have just been out for a long ride up Fifth Ave. on an omnibus. It is very cold and clear, and the marble facades of the marvelous mansions shone like crystal in the sun. . . . The room I have now is a bit too small, so after my week is up, I shall seek out another place near here, for I like the neighborhood. The houses are so different here, that it seems most interesting, for a while at least, to live in one.”

Crane was peripatetic and lived in many houses in the city. The address that mattered most was 110 Columbia Heights, Brooklyn. It was there he began the love affair of his life with a Danish sailor named Emil Opffer, and where, “living in the shadow of the bridge,” as he put it, he conceived of his epic poem about the visionary promise of America, The Bridge. “That window,” he said about his window facing Brooklyn Bridge, “is where I would be most remembered of all: the ships, the harbor, and the skyline of Manhattan, midnight, morning or evening,—rain, snow or sun, it is everything from the mountains to the walls of Jerusalem and Nineveh, and all related and in actual contact with the changelessness of the many waters that surround it.”

The Bridge begins with an ecstatic address to Brooklyn Bridge in which its Gothic arches suggest a new religion and a new image of divinity. The bridge rises up above not simply New York but the whole of the continent, even the Midwest Crane left behind to make his life here. This stanza comes from the proem:

O Sleepless as the river under thee,
Vaulting the sea, the prairies’ dreaming sod,
Unto us lowliest sometime sweep, descend
And of the curveship lend a myth to God.

That’s gorgeous poetry, as stirring as any language an American has authored. But it isn’t easy poetry, and The Bridge was a puzzle and a problem when it arrived in most reviewers’ mailboxes. Crane died, a suicide, in 1932. He knew what he had achieved in his poetry. But he must have feared no one would ever recognize it, including the most important audience he wrote for, literary New York. I can just imagine, therefore, how gratified he would be by this recognition tonight. Hart Crane wrote the great poem of New York, and it is right to name him one of New York’s greats.

Pete Hamill discusses tabloids, boxing, and Cus D’Amato

In the video below, Broadway Boxing interviews LOA editor and author Pete Hamill.

(Courtesy Alex Belth's Bronx Banter and sny.tv)

“Up the Stairs with Cus D’Amato”, the selection Hamill discusses in the video, was a recent Story of the Week.

Related LOA works: At the Fights: American Writers on Boxing

Pete Hamill receives A. J. Liebling Award

Journalist and author Pete Hamill has been selected by the Boxing Writers Association of America as the winner of this year’s A. J. Liebling Award. A masterful sportswriter, Hamill also has a special connection to Liebling: he was the editor of both Library of America volumes of his work, one of which was The Sweet Science and Other Writings. In an exclusive interview conducted shortly after the publication of that volume, Hamill spoke of Liebling’s appeal as a boxing writer:

LOA: In January 2003 Sports Illustrated ranked The Sweet Science as #1 of the 100 best sports books ever, hailing Liebling as “pound for pound the top boxing writer of all time. . . . Liebling’s writing is efficient yet stylish, acerbic yet soft and sympathetic.” What makes Liebling’s writing on boxing so great?

Hamill: Above all, he had sympathy for the fighters, and those rogues and craftsmen who helped shape them. As a young man, Liebling had taken his own lessons as a boxer. He learned the hard way how difficult an apprenticeship each fighter must serve, how much skill was involved, how much discipline and will. He knew that the toughest prizefighters could be the gentlest of men. He knew that the toughness they exemplified was not the same as meanness, nor still another version of the loudmouth with a pea-sized heart. The prizefighter was a living example of the stoic virtues Liebling saw growing up in New York, then during the Depression, and most of all, among those who fought World War II. He expressed that sympathy without ever lapsing into sentimentality.

Read the rest of the interview here (PDF).

Hamill has long been advisor to and supporter of The Library of America and has worked on several LOA projects. In addition to the two volumes of Liebling’s work, Hamill edited James T. Farrell: Studs Lonigan and wrote a foreword for Becoming Americans: Four Centuries of Immigrant Writing. One of his own pieces on boxing, “Up the Stairs with Cus D’Amato,” appears in the forthcoming LOA boxing anthology At the Fights: American Writers on Boxing.

The author of eighteen books, Hamill recent completed his latest novel, Tabloid City, which will be published on May 5—the day before he receives the Liebling Award at the BWAA’s annual dinner in Las Vegas. He was chosen for the award by a committee of veteran boxing writers that included George Kimball and John Schulian (both co-editors of At the Fights), as well as Pulitzer Prize–winner Dave Anderson, Bernard Fernandez, Richard Hoffer, and Ed Schuyler. Click here for the complete list of past winners.