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Showing posts with label Lists. Show all posts
Showing posts with label Lists. Show all posts

Tuesday, August 21, 2012

Critics assess The Library of Congress’s “Books That Shaped America” Exhibition

“Lists are like traffic accidents, aren't they? You just can't stop—I mean, you have to stop and look, you know, and you have to rush in because you feel like you can help.” So Ron Charles, deputy editor of The Washington Post’s book section, comments on NPR’s Talk of the Nation about “Books That Shaped America,” the new exhibition currently at The Library of Congress through September 29.

The exhibition features 88 titles, all by American authors, that “have had a profound effect on American life.” The show’s organizers—curators and experts from throughout the Library of Congress—consider it “a starting point—a way to spark a national conversation on books and their importance in Americans’ lives, and, indeed, in shaping our nation. . . . Some of the titles on display have been the source of great controversy, even derision, yet they nevertheless shaped Americans’ views of their world and often the world’s view of the United States.”

Why 88? Mark Dimunation, chief of the Rare Book and Special Collections Division at the Library of Congress, explains on Talk of the Nation: “That's the magical question, 88. Eighty-eight was the number of books that, when we got down to it, were actually going to fit in our exhibition space.”

Dimunation considers Uncle Tom’s Cabin by Harriet Beecher Stowe emblematic of the collection:
It changed the way that Americans talked about race, both at the time of the Civil War and after. It also spawned an industry that Harriet Beecher Stowe would have been quite unhappy with, with the Tom plays and the sort of avenue toward racist depiction.
The exhibit also includes rare items to supplement several of the books, such as a dimestore novel by Louisa May Alcott and a recent Cuban book art creation of Emily Dickinson's poetry.

Many reviewers commend the list’s diversity and how it reflects American ideals. Michael Dirda in The Washington Post applauds how it
ignores the familiar high-culture shibboleths and embraces cookbooks (Irma Rombauer’s The Joy of Cooking) and schoolbooks (McGuffey’s Primer), mysteries (Dashiell Hammett’s Red Harvest) and science fiction (Ray Bradbury’s Fahrenheit 451), political tracts as well as poetry, both Dr. Seuss and Dr. Spock. . . . Just skimming through the titles . . . underscores that in this country anything can be questioned, nothing is set in stone, everything can be changed. We are, after all, a nation founded and grounded in revolution.
Only three authors have multiple entries: Benjamin Franklin has three titles; Harriet Beecher Stowe, two. And some familiar, canonical names are missing: Poe and Emerson, Pound and Eliot, Henry James and Edith Wharton, Willa Cather and Sinclair Lewis. Pressed by Charles in their NPR interview to position James Fenimore Cooper, Dimunation puts him “in 89, 90, and 91.” For Charles it is the missing books that create a “negative space around it that's so interesting.” He finds, for instance, that the absence of religious books leaves “an enormous hole”:
[H]ere we have a book, The Book of Mormon, that is responsible for one of our 50 states. You know, Goodnight Moon cannot claim that. Religion influenced this country very dramatically right from the start. The first bestsellers were collections of sermons, you've got Thomas Shepard, people we don't even know anymore. Cotton Mather wrote 450 books. Where are all these religious thinkers, and why aren't they on here?
On NPR’s The Takeaway historian Kenneth C. Davis laments other omissions:
My number one miss is Hiroshima, by John Hersey, the most important book about the most important event in the twentieth century. It’s about the dropping of the atomic bomb on the Japanese city on August 5, 1945. Along those lines Profiles in Courage by John f. Kennedy, a book that got into the language and certainly added to the Kennedy mystique. Going back a little bit further in time Plymouth Plantation by William Bradford, the first book of history about the American experience here in the United States. . . The Influence of Sea Power upon History by Alfred Mahan influenced not only Americans to build worldwide navies but was also a book that reached around the world and certainly influenced Teddy Roosevelt to build the great white fleet. And Edith Hamilton’s Mythology.
For Tim Cavanaugh, writing on Reason.com, the list suggests that “two-thirds of America's cultural history took place in only the last 112 years. That at least is the evidence from the publication dates, just 27 of which are from before the twentieth century. Only 20 predate the Civil War.” Cavanaugh closes his review with a video clip that offers dramatic testimony to the enduring power of one omitted author. The poker scene from the 2001 film In The Bedroom turns when one character’s recites a passage from Longfellow’s “My Lost Youth.”



 View the complete list of 88 titles. Join the discussion by taking a survey at The Library of Congress.

Previous Reader's Almanac posts of interest:
Related LOA Titles: Here are a few of the 30 LOA titles on the list (and one that isn't): Mark Twain: Mississippi Writings; Jack London: Novels and Stories; Edgar Rice Burroughs: Tarzan of the Apes; Henry Wadsworth Longfellow: Poems and Other Writings

Monday, July 23, 2012

Reader’s Almanac looks back after two years

This month marks the second anniversary of Reader’s Almanac. Many thanks to all our readers for your support and comments—and to our legion of guest bloggers who have generously contributed so many illuminating and popular posts this past year. This seems an appropriate time to reflect on which posts readers have enjoyed the most.

Reader’s Almanac Top Ten for the past year (7/11 – 7/12)
  1. Andy Borowitz’s marketing copy for The Library of America: “Does being funny get you girls?” – March 17, 2011
  2. Looking back: what readers enjoyed most from Story of the Week – January 4, 2012
  3. Forthcoming from The Library of America (Summer–Fall 2012) – February 1, 2012
  4. The 50 Funniest American Writers: Who made the list? – August 11, 2011
  5. Jim Moore on how reading Kenneth Rexroth changed his life – August 16, 2011
  6. Forthcoming from The Library of America (Winter–Spring 2012) – August 1, 2011
  7. Lev Grossman on Ernest Hemingway, verbal membrane, and The Sun Also Rises – August 30, 2011
  8. The “Best” Short Stories? Two lists—one recent and one from 1914—show their strengths and limitations – June 6, 2011
  9. Truman Capote and Harper Lee: Immortalizing each other in fiction – October 1, 2010
  10. Andy Borowitz on the challenge of selecting the 50 funniest American writers – October 13, 2011
These findings suggest many of our readers were looking for laughs this past year: three of the top ten posts relate to LOA’s breakout bestseller, The 50 Funniest American Writers*: An Anthology of Humor from Mark Twain to The Onion (*According to Andy Borowitz). We were delighted that our January recap of the most popular entries on Story of the Week attracted so much attention. Anyone who enjoys Reader’s Almanac should certainly subscribe to this weekly mailing. And we are very pleased that two of our guest blog posts ranked so high. Moore and Grossman are standouts among a score of exceptional contributions in our “Influences” series. But perhaps the biggest surprise is the new life awarded to a 2010 blog post about the memorable friendship between Truman Capote and Harper Lee. Readers made it not only one of the year’s most popular posts—they vaulted it onto the all-time top ten roster (see below).

Reader’s Almanac All-Time Top Ten (from 2010-2012)
  1. Andy Borowitz’s marketing copy for The Library of America: “Does being funny get you girls?” – March 17, 2011
  2. The Best-Selling Titles in The Library of America’s First Three Decades – January 3, 2011
  3. Jack Kerouac, Allen Ginsberg, and Bob Dylan: Desolation Angels led to “Desolation Row” – October 21, 2010
  4. Vladimir Nabokov: Lolita first published in the U.S. 52 years ago – August 18, 2010
  5. Looking back: what readers enjoyed most from Story of the Week – January 4, 2012
  6. Forthcoming from The Library of America (Summer–Fall 2012) – February 1, 2012
  7. The 50 Funniest American Writers: Who made the list? – August 11, 2011
  8. Truman Capote and Harper Lee: Immortalizing each other in fiction – October 1, 2010
  9. Adam Levin: American literary influences on The Instructions – January 19, 2011
  10. James Baldwin on hearing Martin Luther King preach in Montgomery – January 14, 2011
Being funny may not get him girls but it does keep Andy Borowitz atop the top ten list. Since July 2010 we have published 320 blog posts, and a number of our earliest posts continue to hold their own: in particular, Allen Ginsburg and Bob Dylan reading at Jack Kerouac’s grave and the tortuous history of how Lolita got published. One of our first guest bloggers, Adam Levin remains the most popular. But much more remarkable is the phenomenon of readers reviving old posts. This happened not only with the Capote-Lee piece but also with James Baldwin’s insightful account of hearing twenty-nine-year-old Martin Luther King preach in 1961. That joins the list for the first time with this update. We hope publishing this list will lead many of you to discover what others have found enduring in these posts—and to find some gems on your own among the others.

Also of interest:

Friday, January 6, 2012

Looking back: the most viewed Reader’s Almanac blog posts

Are we surprised that the most-read post on our “literary” blog in 2011 is marketing copy? Not if it’s written by Andy Borowitz. We always thought he was funny; and, apparently, quite a few readers do, too. Just published in October, the book he edited, The 50 Funniest American Writers*: An Anthology of Humor from Mark Twain to The Onion (*According to Andy Borowitz), has become quite a sensation: the first Library of America book to make The New York Times Best Seller list. Given this, it’s no surprise that the book resulted in two of the top four 2011 blog posts. It is possible to be literary and funny.

Readers do like lists: from our announcement of best-selling and forthcoming titles to Adam Levin’s list of the works that influenced The Instructions to what you can discover when you compare two lists of “best short stories” a century apart. Readers also responded positively to our “Influences” series—writers describing the authors or works that most influenced them. Three of those—by Levin, Jim Moore, and Lev Grossman—made the top ten. We deeply appreciate that so many writers have generously agreed to contribute to this ongoing series. And seeing two posts on poetry—Moore on Kenneth Rexroth and John Ashbery on Arthur Rimbaud—become so popular confirms what we have long believed: the audience for poetry has been sorely underserved.

Reader’s Almanac Top Ten for 2011
  1. Andy Borowitz’s marketing copy for The Library of America: “Does being funny get you girls?” – March 17, 2011
  2. The Best-Selling Titles in The Library of America’s First Three Decades – January 3, 2011
  3. Forthcoming from The Library of America (Summer—Fall 2011) – February 7, 2011
  4. The 50 Funniest American Writers: Who made the list? – August 11, 2011
  5. Adam Levin: American literary influences on The Instructions – January 19, 2011
  6. Jim Moore on how reading Kenneth Rexroth changed his life – August 16, 2011
  7. John Ashbery translates Rimbaud’s Illuminations, “the book that made poetry modern” – May 16, 2011
  8. James Baldwin on hearing Martin Luther King preach in Montgomery – January 14, 2011
  9. Lev Grossman on Ernest Hemingway, verbal membrane, and The Sun Also Rises – August 30, 2011
  10. The “Best” Short Stories? Two lists—one recent and one from 1914—show their strengths and limitations – June 6, 2011
The Library of America launched Reader’s Almanac in July 2010 and has published some 270 blog posts since. To date our “all time” top ten are evenly spread between 2010 and 2011. Web searches probably account for the continuing popularity of the 2010 entries: Bob Dylan and Allen Ginsberg at Jack Kerouac’s grave; the cautionary tale of publishers rejecting Vladimir Nabokov’s Lolita; Mark Twain inventing how to sell a banned book; Elaine Showalter (our first guest blogger) parsing the parallels between Philip Roth’s Nemesis and Albert Camus’s The Plague; and the rediscovery of Zora Neale Hurston’s little known early ethnographic work. We suspect that these posts will continue to attract new Library of America readers; time—and many more page-views—will tell. In the meantime, we look forward to another season of “seeking the enduring.”

Reader’s Almanac All-Time Top Ten (from 2010-2011)
  1. Andy Borowitz’s marketing copy for The Library of America: “Does being funny get you girls?” – March 17, 2011
  2. The Best-Selling Titles in The Library of America’s First Three Decades – January 3, 2011
  3. Jack Kerouac, Allen Ginsberg, and Bob Dylan: Desolation Angels led to “Desolation Row” – October 21, 2010
  4. Vladimir Nabokov: Lolita first published in the U.S. 52 years ago – August 18, 2010
  5. Forthcoming from The Library of America (Summer—Fall 2011) – February 7, 2011
  6. The 50 Funniest American Writers: Who made the list? – August 11, 2011
  7. Adam Levin: American literary influences on The Instructions – January 19, 2011
  8. Mark Twain, Huckleberry Finn, and How to Sell a Banned Book – September 29, 2010
  9. Elaine Showalter on Philip Roth, Albert Camus, and plagues – October 20, 2010
  10. Zora Neale Hurston: Video of her ethnographic work in Florida in 1928 – July 26, 2010
Also of interest:

Wednesday, January 4, 2012

Looking back: what readers enjoyed most from Story of the Week

With the end of 2011 The Library of America’s Story of the Week completes its second full year—and the continued response from readers—in signups, comments, suggestions for stories—confirms this as one of the LOA's most satisfying initiatives. This milestone prompts a review. Which stories did readers like best? Do any themes connect them?

Take a look below at the list of last year’s top ten stories. Humorous stories abound (#3,#4,#5, #7 and #8), suggesting that Story of the Week readers like to laugh—even at themselves, since Edith Wharton’s “Xingu” pokes fun at reading groups (not yours, of course, just the pretentious ones).

When readers aren’t laughing, are they yearning to be forever young? How curious that the most popular story by several thousand views, “Dr. Heidegger’s Experiment,” was a fable written more than 170 years ago about the hubris of science and the yen for eternal youth? And there’s sparse humor in #2, “Why Don’t You Dance?”—available to Story of the Week readers for a limited period—Raymond Carver’s brief, bleak vignette of a furniture sale in the aftermath of divorce.

Stories of challenge best characterize two other top entries. More than a hundred years ago, Mary Church Terrell, an early activist for women’s rights and civil rights, delivered the stem-winding speech “What It Means to be Colored in the Capital of the United States.” Jack London’s “To Build a Fire” dates from around the same time, but his unnamed “man” confronts quite a different challenge: striving to staying alive, alone with his dog in the Yukon at fifty degrees below.

Story of the Week's Top Ten for 2011
  1. “Dr. Heidegger’s Experiment,” Nathaniel Hawthorne – week of June 26, 2011
  2. “Why Don’t You Dance?” Raymond Carver – September 25, 2011
  3. “A Box to Hide In,” James Thurber – June 19, 2011
  4. “Shiftless Little Loafers,” Susan Orlean – October 16, 2011
  5. “The Ransom of Red Chief,” O. Henry – August 21, 2011
  6. “What It Means to be Colored in the Capital of the United States,” Mary Church Terrell – January 16, 2011
  7. “A Dog’s Tale,” Mark Twain – April 17, 2011
  8. “Charles,” Shirley Jackson – June 6, 2010
  9. “Xingu,” Edith Wharton – January 23, 2011
  10. “To Build a Fire,” Jack London – February 27, 2011
Two things seem clear: First, good yarns have long lives. And second, new Story of the Week readers are avid archive combers. What else explains how Shirley Jackson’s “Charles,” first posted in June, 2010, became #8 in 2011?

New readers seeking out previously posted stories is the only explanation we can think of for why only three new 2011 entries made it onto the “all-time” top ten (“all-time” meaning, of course, the past two years). Here, amid the entertaining treats from Jackson, Thurber, and Twain, atmospheric tales from Hawthorne and Carver find fellowship with three much more ominous classics: “The Little Room,” “I’ll Be Waiting,” and “The Train.”

Story of the Week All-Time Top Ten (from 2010-2011)
  1. “Charles,” Shirley Jackson – week of June 6, 2010
  2. “Dr. Heidegger’s Experiment,” Nathaniel Hawthorne – June 26, 2011
  3. “Why Don’t You Dance?” Raymond Carver – September 25, 2011
  4. “The Lady on the Bookcase,” James Thurber – April 25, 2010
  5. “The Little Room,” Madeline Yale Wynne – October 17, 2010
  6. “I’ll Be Waiting,” Raymond Chandler – December 5, 2010
  7. “Hunting the Deceitful Turkey,” Mark Twain – November 21, 2010
  8. “A Box to Hide In,” James Thurber – June 19, 2011
  9. “The Train,” Flannery O’Connor – October 3, 2010
  10. “The Christmas Fireside (for Good Little Boys and Girls),” Mark Twain – December 19, 2010
Previous Reader’s Almanac posts of interest:

Tuesday, October 4, 2011

J Courtney Sullivan on whom she re-reads:
W. H. Auden, Dorothy Parker, Jane Smiley, Richard Yates

Maine by
J. Courtney Sullivan
(Knopf, 2011)
J. Courtney Sullivan, who recently published her second novel, Maine, joins our continuing series of guest blog posts by writers of fiction, history, essays, and poetry. She writes about the books she returns to for “awe and inspiration.”
When I was growing up in the suburbs of Boston, I imagined that someday I would live in New York, in an apartment straight out of a Woody Allen movie—small, but well-lit and cozy, with books piled high on every table and chair.

The end result was not far from the fantasy. Like most writers, I am a reader first. I doubt you’ll ever catch me on a Kindle: I like to have my books all around me. Even though I refuse to part with my books, I’m not likely to re-read most of them. But I do go back to a few, especially when I’m writing. Dog-eared and underlined on nearly every page, these are the ones that fill me with a sense of awe and inspiration and, okay, a little bit of jealousy. Reading any one of them can’t help but make you a better writer.

A Thousand Acres by Jane Smiley
When people ask about my favorite novel, A Thousand Acres always jumps quickly to mind. I first read it in high school, and was drawn in by the riveting, detailed descriptions of Iowa farm country, and the inner lives of the women raised there. I read it again in college, side-by-side with King Lear. Only then did I truly appreciate what a triumph of form Smiley achieves. Scene for scene, the novel is a modern day retelling of Shakespeare’s play from the daughters’ perspectives. Larger social issues like molestation, environmental concerns, and rigid gender roles get explored through the domestic lives of one family. Every page is pitch perfect.

The Collected Poems of W. H. Auden
Reading great poetry is the best thing a fiction writer can do. When telling a story that spans several hundred pages, I can get caught up in plot, eager to type faster than my fingers allow. A generous helping of Auden, who chose each word and turn of phrase with such incredible care, can pare this instinct. Reading just one of his closely crafted stanzas reminds me to slow down and reexamine my sentences. I have many beloved Auden poems, and my favorites change from year to year. Some of the best, in my opinion, are “Brussels in Winter,” “Musée Des Beaux Arts,” “Music Is International,” “A Healthy Spot.” My two favorites at present: “Many Happy Returns” and “For Friends Only.”

Revolutionary Road by Richard Yates
This novel blows me away on so many levels. Yates evokes suburbia in the nineteen-fifties with remarkable precision and depth. Other novelists have of course done it, but none so well. Yates’s prose is at once haunting and hilarious. As he gets inside the heads of a discontented married couple and their neighbors, he brings each one’s hopes and disappointments into such sharp focus that they seem to be portraits of real people. The inner workings of the husband, Frank, in particular, are masterstrokes of genius. I admire this book for many reasons, one of which is the author’s ability to build toward a shocking, yet believable, ending. He adds layers of suspense so deftly that you never want to put it down.

The Portable Dorothy Parker
The word portable in the title is fitting. Fourteen years have passed since I received this book (as an unlikely sweet sixteen present) and it has traveled with me everywhere I’ve been since. Nearly every page is underlined and marked up, and looking it over, I can tell you at exactly which stage of my life I made each of the markings. I didn’t read the book straight through; I discovered it part by part, according to what I could handle at that point in my life. (In a way, the book is like those designer Swedish high chairs that everyone in Brooklyn now seems to have—your baby can sit in this booster seat before he’s even able to hold up his head, and then later he can convert it into a futon to use in his college dorm!)

First, as a teenager, I loved the angsty love poems. (And wrote a few bad copies myself.) In college, I’d stay up late reading Parker’s short stories. Her characters had names like Mimi and Midge, and their observations were razor sharp. In “The Lovely Leave,” a woman’s soldier husband comes home just for an afternoon and she is cross with him for leaving so soon. “I like you in black,” he says, trying to keep the peace by complimenting her dress. “At moments like this,” she replies, “I almost wish I were in it for another reason.” Later, I discovered the genius of Parker’s book reviews—her best work of all, in my opinion. There is one purple Post-it sticking out of my copy, marking Parker’s February 1959 Esquire review of Truman Capote’s Breakfast at Tiffany’s. “The reader . . . has always the feeling that to know the young woman would be to find her a truly awful pest.” You must read this review immediately, if not sooner.
Reviewing for The New York Times, Janet Maslin called Sullivan’s debut novel, Commencement (2009), about the intertwined lives of four Smith College grads, “one of this year’s most inviting summer novels.” “Take Mary McCarthy’s The Group,” wrote Gloria Steinem, “add a new feminist generation striving to understand everything from themselves and their mothers to the notion of masculinity that fuels sex trafficking, and you get this generous-hearted, brave first novel.” Sullivan’s second novel, Maine, published in June, also appealed to summer readers, spending more than a month on The New York Times Best Sellers list. "I have never stayed at this cottage in Maine, or any cottage in Maine,” remarked Meg Wolitzer, “but no matter: I now feel I know what it's like being in a family that comes to the same place summer after summer, unpacking their familiar longings, slights, shorthand conversation, and ways of being together. Maine is evocative, funny, close-quartered, and highly appealing."

Previous Reader’s Almanac posts of interest:
Related LOA works: American Wits: An Anthology of Light Verse (includes poems by W. H. Auden and Dorothy Parker); The 50 Funniest American Writers: An Anthology of Humor from Mark Twain to The Onion (includes “The Waltz” by Dorothy Parker)

Thursday, August 11, 2011

The 50 Funniest American Writers: Who made the list?

Earlier this year, we posted Andy Borowitz’s marketing copy for the forthcoming LOA anthology The 50 Funniest American Writers*: An Anthology of Humor from Mark Twain to The Onion (*According to Andy Borowitz). His hilarious stab at writing catalog copy has since become our most-read blog post ever.

Yesterday USA Today broke the news of the writers who made the cut for the anthology, and last night we posted the full table of contents on the LOA website. The list includes several heavyweights who have their own Library of America volumes (James Thurber, H. L. Mencken, Philip Roth), other well-known standards (Dorothy Parker, S. J. Perelman, Roy Blount Jr.), several neglected rediscoveries (George Ade, Anita Loos, Peter De Vries), and today’s newest stars in humor writing (David Sedaris, George Saunders, Wanda Sykes).

As Andy told USA Today’s Bob Minzesheimer, “Anytime you do a best-of list, people get mad, except for the people on the list. Lists are lightning rods. That's the fun of it. And the most personal thing of all is deciding what’s funny. . . . Someone else could do it and come up with another list: Mark Twain and 49 others. You've got to include Twain, no one stands up better over time.” (Who would be on your list?)

We didn’t plan it this way (honest!) but the finished books arrived in the LOA warehouse yesterday, too. They will be on sale in bookstores in mid-October—but you don’t have to wait! For a limited time, you can order copies directly from The Library of America for immediate delivery at 30% off, with free shipping anywhere in the U.S.

Tuesday, July 19, 2011

Liesl Schillinger on what to reread this summer and why

Guest blog post by Liesl Schillinger, New York-based writer, literary critic, and creator of the whimsical neologisms blog wordbirds

I’m about to go on my first true vacation this year, to an island in the middle of a lake where there’s no Internet and no electricity. In the daytime, our light comes from the sun; at nightfall, from oil lanterns whose glow extends halfway across our birch-bough beds. As a literary critic, I read at all times; but on holiday, I indulge in the pleasure of rereading. And since the Adirondacks (where I’ll be) are steeped in this country’s mythic past, I’ll be bringing American authors with me to reread. Here are the ones I’ll be dipping into, while the light lasts:

Edith Wharton. When I first read Wharton’s The House of Mirth, at 16, I loved this book and rued Lily Bart’s cruel fate. Reading it decades later, I was struck instead by the cruelty of Wharton’s social world and by her heroine’s bottomless venality. Wharton’s Collected Stories tend to be breezier and better-humored than her longer work (though still a little wicked), and I’ll be diving back into them—particularly “Charm Incorporated,” a story about a businessman who marries a beguiling immigrant whom the reader imagines to be a gold-digger, but who in fact rescues her husband’s fortunes.

John Dos Passos. What Carl Sandburg did with poetry for Chicago, Dos Passos did with prose for New York. In his tour de force, Manhattan Transfer, Dos Passos wrote with striking, cinematic visual imagery, using dialogue (mostly) to convey a living, breathing portrait of Manhattan in the first two decades of the last century. Though Dos Passos includes the wealthy among his characters, he gives unusual voice to working American men, women and immigrants. Like Sandburg, who defended ordinary citizens in his long cycle, The People, Yes, Dos Passos championed the working man, and he ought to be more forcefully championed by those who admire Hemingway, Steinbeck and the modern novel.

F. Scott Fitzgerald. Many people reread The Great Gatsby. But the Fitzgerald novel that haunts me is Tender Is the Night, in which he transmits love’s poignancy more evocatively than just about anyone else. And his passage about Nicole’s Paris shopping trip is my favorite run-on sentence of all time: “For her sake trains began their run at Chicago and traversed the round belly of the continent to California; chicle factories fumed and link belts grew link by link in factories; men mixed toothpaste in vats and drew mouthwash out of copper hogsheads; girls canned tomatoes quickly in August or worked rudely at the Five-and-Tens on Christmas Eve . . .” Best read when one is far from toil . . . say, on a dock in the afternoon, as the first gin and tonics come around.

Kurt Vonnegut. Growing up in Indiana (Vonnegut’s home state), I got to take an eccentric class in high school devoted to Vonnegut’s oeuvre—taught by a wry, obese teacher who resembled (I thought) Vonnegut’s portly “Mr. Rosewater.” I must have read Cat's Cradle—Vonnegut’s parable of connection and empathy in the age of mass destruction—five times. I have also reread Slaughterhouse-Five, his stories Welcome to the Monkey House, and even his wacky, cartoon-filled Breakfast of Champions. His books are mosaics studded with fertile, glinting thoughts and images, always worth poring over again, always producing a fresh impression.

Anne Tyler. I consider some of the novels Anne Tyler wrote in the 1970s and 1980s to be American classics: Searching for Caleb, The Accidental Tourist, and, my favorite, Dinner at the Homesick Restaurant (about a dysfunctional family, before that term came into wide use). Understated humor runs through her books like a stream among the rushes: in one novel, a woman drives a car that’s missing a door; after she parks it, another character rips an ad from a magazine and tapes it to the frame: "Wouldn’t You Really Rather Have a Buick?" Later, she pops a piece of candy into her mouth from a bowl on a coffee table, only to realize it’s made of glass. This is American vision, American nuance, told in American language. And even Tyler’s sharpest observations have a generous, merciful quality to them, elevating her writing above satire or tale-telling.

John Updike. Rabbit runs, Rabbit gets reduxed, and Rabbit is reread; but the Updike novel I’m drawn to over and over is his stately retelling of the American century through the multi-generational saga In the Beauty of the Lilies. Written in 1996, this book begins in the rural, decent small-town America we associate with Frank Capra and Jimmy Stewart, and progresses relentlessly but organically to the media-oversaturated 90s, by which time an uncentered population has lost its context, and a neglected boy (who is nonetheless somebody’s son) joins a Waco-like cult, and shakes off its spell too late. The confident breadth of Updike’s span inspires awe. It’s an ideal book to wrap up at sunset . . . before returning for reassurance and warmth to the companionship of friends and family around the campfire.

Also of interest:
Related LOA works: Edith Wharton: Novels, Novellas, Stories, and Other Writings; John Dos Passos: Novels 1920-1925; Carl Sandburg: Selected Poems; Kurt Vonnegut: Novels & Stories 1963–1973

Wednesday, July 6, 2011

Looking back: what readers have enjoyed most from Story of the Week and Reader’s Almanac

It was on July 4 one year ago that The Library of America launched Reader’s Almanac, which we are delighted to see regularly rank as a top literary blog on Wikio and Technorati. Just six months earlier, LOA started Story of the Week. Now nearly eighty thousand subscribers receive the weekly alert for a free short story. Many thanks to all our readers, especially those who have made comments and recommendations, for helping these two initiatives succeed. We thought this an appropriate time to share some findings about which selections and posts you have enjoyed the most.

Story of the Week
  1. “The Lady in the Bookcase,” James Thurber – week of April 23, 2010
  2. “Dr. Heidegger’s Experiment,” Nathaniel Hawthorne – June 27, 2011
  3. “I’ll Be Waiting,” Raymond Chandler – December 6, 2010
  4. “The Little Room,” Madeline Yale Wynne – October 18, 2010
  5. “Hunting the Deceitful Turkey,” Mark Twain – November 19, 2010
  6. “The Train,” Flannery O’Connor – October 4, 2010
  7. “The Christmas Fireside (for Good Little Boys and Girls),” Mark Twain – December 17, 2010
  8. “An Interview with Mark Twain,” Rudyard Kipling – April 16, 2010
  9. “What It Means to be Colored in the Capital of the United States,” Mary Church Terrell – January 14, 2011
  10. “A Box to Hide In,” James Thurber – June 17, 2011
The revival of interest in James Thurber has been one of the most remarkable stories of the past two years. Its start can clearly be traced to Keith Olbermann’s decision to end each of his Friday Countdown broadcasts with a reading from James Thurber: Writings and Drawings. And perhaps there was pent-up demand for Thurber. Six months ago, “The Lady in the Bookcase” was not even in the top five stories. Readers searching for Thurber found it in the Story of the Week archives and caused its climb. “A Box to Hide In,” on the other hand, just mailed two weeks ago and jumped to #10.

Another surprise in the rankings is the Nathaniel Hawthorne tale about “the hubris of science and the idea of eternal youth.” It mailed just last week and it’s #2! Is this really the perfect summertime read? Or perhaps it confirms our readers’ taste for the macabre? The ghoulish stories clustered near the top nevertheless show a discriminating range: from Madeline Yale Wynne’s disturbing little gem to ominous classics by Raymond Chandler and Flannery O’Connor. And speaking of life beyond the grave, we know nothing would please this year’s bestselling deceased author Mark Twain more than dominating this list with three entries—except perhaps being #1.

Reader’s Almanac
  1. The Best-Selling Titles in The Library of America’s First Three Decades – January 3, 2011
  2. Jack Kerouac, Allen Ginsberg, and Bob Dylan: Desolation Angels led to “Desolation Row” – October 21, 2010
  3. Vladimir Nabokov: Lolita first published in the U.S. 52 years ago – August 18, 2010
  4. Forthcoming from The Library of America (Summer—Fall 2011) – February 7, 2011
  5. Andy Borowitz’s marketing copy for The Library of America: “Does being funny get you girls?” – March 17, 2011
  6. Mark Twain, Huckleberry Finn, and How to Sell a Banned Book – September 29, 2010
  7. Adam Levin: American literary influences on The Instructions – January 19, 2011
  8. Elaine Showalter on Philip Roth, Albert Camus, and plagues – October 20, 2010
  9. Zora Neale Hurston: Video of her ethnographic work in Florida in 1928 – July 26, 2010
  10. James Baldwin on hearing Martin Luther King preach in Montgomery – January 14, 2011
One of the most surprising findings in this list is how appealing readers find LOA’s sales data and lists of forthcoming titles. Expect more details on these fronts in the future. And we are very pleased that our new guest blog posts—represented above by Adam Levin and Elaine Showalter—have been so well received, and there are many more are in the pipeline. Showcasing a variety of voices has always been what The Library of America has been about.

The popularity of two posts—one on Kerouac, Ginsberg and Dylan; another on Zora Neale Hurston—seem driven as much by the accompanying videos as by the text. If you know of a compelling video on a literary subject, please bring it to our attention. We’d love to add it to our Library of America YouTube channel, and possibly also include it in a blog post.

Friday, June 17, 2011

The Guardian helps you plan your summer "greatest non-fiction" reading

The editors of The Guardian this week published what they are calling “The 100 greatest non-fiction books . . . our list of the very best factual writing, organized by category, and then by date.” We were pleased to find quite a few Library of America offerings making the list—and perhaps joining you on the beach.

Biography
The Autobiography of Alice B. Toklas by Gertrude Stein (1933)
“Stein’s groundbreaking biography, written in the guise of an autobiography of her lover. . . Audacious, sardonic and characteristically self-confident, this is a definitive account by the American in Paris.”

Journalism
Dispatches by Michael Herr (1977)
"The best book I have ever read on men and war in our time."—John Le Carre

Memoir
Narrative of the Life of Frederick Douglass, an American Slave by Frederick Douglass (1845)
“This vivid first person account was one of the first times the voice of the slave was heard in mainstream society. . . how he endured the daily physical and spiritual brutalities of his owners and drivers, how he learned to read and write, and how he grew into a man who could only live free or die.”

Speak, Memory by Vladimir Nabokov (1951)
“Nabokov reflects on his life before moving to the US in 1940. Young love, butterflies, tutors and a multitude of other themes thread together to weave an autobiography, which is itself a work of art.”

Philosophy
Walden by Henry David Thoreau (1854)
“An account of two years spent living in a log cabin, which examines ideas of independence and society . . . his refusal to play by the rules of hard work and the accumulation of wealth and above all the freedom it gave him to adapt his living to the natural world around him.”

Politics
The Souls of Black Folks by W.E.B. Du Bois (1903)
“A series of essays makes the case for equality in the American south. With its singular combination of essays, memoir, and fiction, this book vaulted W.E.B. Du Bois to the forefront of American political commentary and civil rights activism.”

Religion
The Varieties of Religious Experience by William James (1902)
“James argues that the value of religions should not be measured in terms of their origin or empirical accuracy.“

Society
Let Us Now Praise Famous Men by James Agee and Walker Evans (1941)
“Evans’s images and Agee’s words paint a stark picture of life among sharecroppers in the U.S. South. . . an extraordinary collaboration and a watershed literary event . . . one of the most influential books of the twentieth century.”

Travel
Innocents Abroad by Mark Twain (1869)
“Twain’s tongue-in-cheek account of his European adventures is a burlesque of the sentimental travel books popular in the mid-nineteenth century.”

Previous Reader’s Almanac posts of interest:

Monday, June 6, 2011

The “Best” Short Stories? Two lists—one recent and one from 1914—show their strengths and limitations

“Best of” lists often make us wonder if they exist solely to goad us into generating new and better lists. Many of us love lists, and indeed in only two months we’ll be announcing here the sure-to-be-controversial “Fifty Funniest American Writers” selected by Andy Borowitz for an upcoming Library of America volume.

Along these lines, we noticed the “Best Short Stories of All Time,” a recent list bravely compiled by the fifteen staff members of One Story, who posted a “long list” on their blog and featured the top ten, plus a few runners-up, on Flavorwire. Among the excellent stories on the long list were entries by three Library of America authors: Raymond Carver, John Cheever, and Flannery O’Connor. Still, it’s notable that a mere two stories (by Kafka and Garcia Marquez) were originally written in a language other than English—and only two others (by Joyce and Gallant) were written by non-Americans. And, except for the selections by Kafka and Joyce, all the stories were published since World War II.

While pondering whether every “best of” list inevitably reflects the prejudices of the time, we stumbled upon “What is the Best Short Story in English?,” a survey The New York Times conducted in 1914. The Times sought out the opinions of “a score of men and women on both sides of the Atlantic . . . who are writing or have written the short stories of this generation.” And, sure enough, we found that even a century ago the distinguished jurors did not reach much beyond their contemporaries or the previous generation for their favorites.

Among those who participated in the survey were writers who are still familiar to readers today: Richard Harding Davis, Edna Ferber, Arthur Conan Doyle, Thomas Hardy, Jack London, Booth Tarkington, Owen Wister. We are also gratified to see among the jurors several less well-known authors whose works have been revisited in recent Library of America anthologies: Robert W. Chambers (author of the chilling “The Repairer of Reputations”), Irvin S. Cobb (“Cobb Fights It Over Again”), Mary E. Wilkins Freeman (“Luella Miller,”), and Owen Johnson (“The Great Pancake Record”).

Thomas Hardy echoed his fellow writers when he rejected the concept of “best”:
One may be the best tragic short story, the other may be the best tranquilly domestic short story, and so on, and unless you decide which is "best," tragedy, comedy, or tragi-comedy, the question is unanswerable. It seems as impossible to say which is the best of these forms of art as to define which is the best color, or the best taste in food.
Owen Wister adds, “You have asked a question to which there really is no answer, and you know as well as I do that if the replies you are going to receive coincide it would be amazing enough to become historic in a small way.”

Like One Story’s list, most of the 1914 selections were written during the previous half-century—and a good number were written by the jurors’ contemporaries. Half of the forty-five stories were written by just four authors: Rudyard Kipling, Robert Louis Stevenson, Charles Dickens, Edgar Allan Poe. Although the list includes many stories and authors still read and loved by readers today, there are notable omissions for a survey conducted in 1914: Scott, Hawthorne, Disraeli, Trollope, and Gissing (all of whom were featured in a best-selling story anthology published the same year by Oxford University Press). Missing, too, is “Désireé’s Baby,” by Kate Chopin, which was called “one of the most perfect stories” and “well nigh perfect” by anthologists in 1906 and 1915, respectively. And, of course, readers and critics wouldn’t rediscover poor, neglected Herman Melville until the 1920s.

Without further ado, then, here are the “Best Stories in English” from 1914:
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